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Showing posts with label self. Show all posts
Showing posts with label self. Show all posts

Sunday, November 4, 2012

La Gran Perdida de Energia - Self Titled ALBUM REVIEW

"Gloom & Doom that's all I'm saying...
-Austin Lovelace"
This is the first album by the instrumental post-rock outfit who's name, I believe, translates to The Great Loss of Energy. While it is their first album, it's defiantly not their first time out the gate, though it does seem to be the first impression they would rather halve. The reason I say that is because, while there isn't a huge change in style, there is a pretty big change in presentation. In comparison with their first EP the production is much more ambitious, and much grander. They take the sound that they where showing off and focus it much more on the haunting elements of post-rock to assist the production in filling every bit of empty space.

I'll admit that I was on the fence with the EP and listening to it before the album didn't give me the highest expectations. When it comes to this album I'm still not getting it completely; I'm liking the improvements on the sounds they where already using but the production isn't making up for the uniqueness that they've lost because of it. A lot like Foster, who's first EP I gave a raving review, they focus a lot on an indy rock edge. There are a lot of melodies that almost remind me of indy rock kings like Grizzly Bear. A lot of the more catchy moments on that first EP even focused on a math rock influence from the popier side of bands like Band of Horses and Minus the Bear. Under the production that Volvemos en 10 Años had, I was hoping to hear more of their atmospheric side but now that it's the majority of what I'm getting, I'm missing their fun side.

In many ways they're an apposing force to a band like Godspeed You! Black Emperor, while using a lot of similar techniques, they represent a much more optimistic side of post-rock. Where GY!BE soundtrack a post-apocalyptic, political, world Energia is more content with telling you when to relax and play. The opener, "El Mes del Viento", uses a lot of symbol crashing breaks and tremolo picking to create an environment that's easy to get lost in, something you would expect to soundtrack the most tense scene in a movie. That leads into the next track which has a surf feel but as soon as that goes out, it awkwardly transitions into something very similar to the first track. "DO!" has a very strong and cool melody but it repeats it through the whole song and just barley makes it out without decreasing the power the groove has. After about 1:00min the 4th track works into one of the coolest and most climactic grooves on the whole album, and it finishes with some tremolo picking that stops you from breathing, but the song still goes on for 7 more minuets of falling action. While you wait for moments like that everything else just feels like filler, filler that they avoided on their first EP. One of my favorite tracks, "De Los Que Viven Bajo el Agua", takes a while to get there, but it finishes with such a fun outro that I almost wanna dance to it, and the same goes for the intro to "Asia". I don't want this album to have to live up to an EP that's not as good but when they don't sound like they're having fun, they sound like they're stalling. When it feels like they're stalling, I can't say what they're doing anything unique, and those parts at many times on this album, awkwardly mix with the parts I love. That's the only difference from the first EP that isn't an improvement, making it the easiest to talk about, but it's a substantial change.

I understand that this review sounds negative, and while that is the perspective I have of this album compared to others in its genre, I want to make sure you know that I do like it. I enjoyed listening to this, and I can't rave more about how hauntingly beautiful the last track is (it should be on during the credits of Pirates of the Caribbean, it really should). Sadly, though, the best thing I can say about the parts I didn't like is "they do what other bands are doing, really well". I love every moment of this where I can picture a crowd dancing and the band jumping but for now I feel like they're still working out how they want all those sounds to work together. While I wasn't amazed by this album, I'm really excited to see what they do next.

Tuesday, January 17, 2012

Joel's Top 10 Albums of 2011

"and the re-birth. You guys didn't think I'd let you down like that did you? We're gonna make this way easier for you and way more fun. 
-Joel Duplessis"

10. The Roots - Undun



A very special thanks to Austin for introducing me this amazing album. I feel much more confortable and close with this band now that I have listened to this album. If you’re thinking that you don’t like hip-hop so you won’t like this album, please think again. This album is strongly suggested to anyone wo likes «music».

8.4/10

9.  Mutemath - Odd Soul




I think its the perfection of this album... I don’t know what makes me listen to this album over and over, but whatever they did, it’s creative and fun. I remember seeing a commercial on youtube about Odd Soul and I thought it sounded nice, so I just typed «Mutemath» in youtube and... well... W-O-W. These guys have a bunch of fun music videos, you have to check it out. Anyways, great album, special band and addictive songs.

8.4/10

8. tUnE-yArDs - W H O K I L L




Never thought that experimental R&B would sound so refreshing! A girl from New England bassicaly just popped out of nowhere and exploded our minds with her music. I really like what I hear from this album; layering of tracks, warm percussions, african texure, a bit pop but doesn’t effect the originality... I’m looking forward to hear some more of this band.

8.5/10

7. St. Vincent - Strange Mercy




So I don’t have lots to say about this album, but I’ll just use this excuse to thicken my paragraph. I’m hearing indie, but at the same time, I’m hearing demolished math rock. Witch sounds perfect, and the mix of that style with her vocals is very powerful. Awesome album.

8.6/10

6. Florence + The Machine - Ceremonials




First of all, Florence *is the Machine. Just these expressions coming out of the album like that is so strong, I really felt like something was lifting me up as listening to it. Very indie pop, amazing vocals, catchy rhythms... It has it all to be a valuable album. I’m really impressed of this album, and think I will still remember it in 20, 30, 40 years from now. 


8.6/10

5. M83 - Hurry Up We're Dreaming




An album to remember, remarkable sounds, and these vocals floating around my head repeating itself makes it very easy to fall in (instead of using instruments) because it never gets anoying. /mu/ seemed to love this album and thats where my love for it began, so thanks /mu/!

8.8/10

4. Fleet Foxes - Helplessness Blues



Marvelous album with breath taking songs. Very solid songs, easy to jump in, extremely personal lyrics, and about five cups of wonderful. Every song on this album is fantastic to the point it made me cry. All in all, tremendous album, very satisfying.

9/10

From Austin: "Didn't get it, at all"

3. Radiohead - The King of Limbs




«open your mouth wide» said the dentist, well Radiohead blasting with another album, and as we know, always staying true to its sound. One rule we need to know about them and their albums is to never repeat the same style. They always have changed and as they grow older, I feel like they’re concentrating more and more on the instruments and how it could sound in so many other ways. Like the beat in «Good Morning Mr. Magpie» that is pretty much the same thing all the way, but you can take the beat in so many different ways because the guitars are pushing it forward and always repeating itself... Now remember, «The King of Limbs» is an album following «In Rainbows» witch is still very alternative rock, so this doesn’t mean they can’t put the «r» in «rock» anymore. It just means that they have matured and so does every sound they used on this album. Very Promising album.

9.3/10

From Austin: "Yeah you guys can say what ever this isn't on my list because I thought it was disappointing :("

2. Bon Iver - Self Titled




It really bothers me when people just listen to this album and say its not like the albums before because the instrumentation is much more complex, thats not a valuable reason to hate on an album. This self-titled album is their true masterpiece and it has such a deep meaning that no other album this year can possibly match it. If Justin Vernon wanted to sing all of them alone with his guitar, he could, but he decided not to, and that decision leads us to this. The instrumentation in it just makes me want to cry (good thing). Well first of all, most of the instruments are out of their nature, like the sliding guitars sounds like saxophones, and the violins are not really in place, and whammy pedals on trumpets and all these instruments that just ends up sounding like gadgets witch makes it sound more lively really... who wants to sound perfect when you can just make things different and still sound beautiful? Its closer to reality anyways. But even all of that doesn’t stop Bon Iver from sounding like themselves. They still keep their terrific indie sound. Exciting album, I hope you’ll show it to your friends too, don’t keep all the magic for yourself!

9.7/10

From Austin: "Lets not fight but I hated this thing" 

1. James Blake - Self Titled




I am sure that this album is worth more than being #1 here. As I listen to this album, everything around me disappears. So much is placed into this album that it hurts, not that theres too much things going on, just that I never even thought something could replace a way someone feels. When we’re listening to James Blake’s self-titled album, we’re feeling what he’s feeling so much he puts life in there. It’s just a brilliant album from a brilliant guy. I, as a musician, was trying to understand the album, and I did these studies on his songs and I just could not figure out what was happening, but I just knew it was so beautiful and true. I spotted that the song «I Mind» sounded like The Beatles’s «A Day in the Life» at the part where lennon says «turn you on» and where james says «I Mind» at the very start... Just a quick remark. The guy just bassicaly told us through his album that there was electronic music and his music. I know his album is electronic, but COME ON, he invented a brand new style... he did his thing and his only, there is nothing or no one that can possibly do that, because he has the future of music in his hands. Pure genius album by an intellectual man who performs just amazingly with his unbelievably brilliant musicians!

take note of the drummer’s clappy finger thingy... Took me a while to figure out that one.

10/10