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Showing posts with label ep. Show all posts
Showing posts with label ep. Show all posts

Sunday, November 4, 2012

La Gran Perdida de Energia - Self Titled ALBUM REVIEW

"Gloom & Doom that's all I'm saying...
-Austin Lovelace"
This is the first album by the instrumental post-rock outfit who's name, I believe, translates to The Great Loss of Energy. While it is their first album, it's defiantly not their first time out the gate, though it does seem to be the first impression they would rather halve. The reason I say that is because, while there isn't a huge change in style, there is a pretty big change in presentation. In comparison with their first EP the production is much more ambitious, and much grander. They take the sound that they where showing off and focus it much more on the haunting elements of post-rock to assist the production in filling every bit of empty space.

I'll admit that I was on the fence with the EP and listening to it before the album didn't give me the highest expectations. When it comes to this album I'm still not getting it completely; I'm liking the improvements on the sounds they where already using but the production isn't making up for the uniqueness that they've lost because of it. A lot like Foster, who's first EP I gave a raving review, they focus a lot on an indy rock edge. There are a lot of melodies that almost remind me of indy rock kings like Grizzly Bear. A lot of the more catchy moments on that first EP even focused on a math rock influence from the popier side of bands like Band of Horses and Minus the Bear. Under the production that Volvemos en 10 Años had, I was hoping to hear more of their atmospheric side but now that it's the majority of what I'm getting, I'm missing their fun side.

In many ways they're an apposing force to a band like Godspeed You! Black Emperor, while using a lot of similar techniques, they represent a much more optimistic side of post-rock. Where GY!BE soundtrack a post-apocalyptic, political, world Energia is more content with telling you when to relax and play. The opener, "El Mes del Viento", uses a lot of symbol crashing breaks and tremolo picking to create an environment that's easy to get lost in, something you would expect to soundtrack the most tense scene in a movie. That leads into the next track which has a surf feel but as soon as that goes out, it awkwardly transitions into something very similar to the first track. "DO!" has a very strong and cool melody but it repeats it through the whole song and just barley makes it out without decreasing the power the groove has. After about 1:00min the 4th track works into one of the coolest and most climactic grooves on the whole album, and it finishes with some tremolo picking that stops you from breathing, but the song still goes on for 7 more minuets of falling action. While you wait for moments like that everything else just feels like filler, filler that they avoided on their first EP. One of my favorite tracks, "De Los Que Viven Bajo el Agua", takes a while to get there, but it finishes with such a fun outro that I almost wanna dance to it, and the same goes for the intro to "Asia". I don't want this album to have to live up to an EP that's not as good but when they don't sound like they're having fun, they sound like they're stalling. When it feels like they're stalling, I can't say what they're doing anything unique, and those parts at many times on this album, awkwardly mix with the parts I love. That's the only difference from the first EP that isn't an improvement, making it the easiest to talk about, but it's a substantial change.

I understand that this review sounds negative, and while that is the perspective I have of this album compared to others in its genre, I want to make sure you know that I do like it. I enjoyed listening to this, and I can't rave more about how hauntingly beautiful the last track is (it should be on during the credits of Pirates of the Caribbean, it really should). Sadly, though, the best thing I can say about the parts I didn't like is "they do what other bands are doing, really well". I love every moment of this where I can picture a crowd dancing and the band jumping but for now I feel like they're still working out how they want all those sounds to work together. While I wasn't amazed by this album, I'm really excited to see what they do next.

Saturday, July 7, 2012

The Note Pad: The Music Is Sound Rating, Paying for Music, and Supporting Our Fans

"I'm fell off with green day a while back but I'm digging the hell out of this trailer!

-Austin Lovelace"

I'm going to start reviewing new albums so I'll be abandoning the weekly format to cover the albums on my "anticipated list". I also want to cover other albums that came out this year so recommend albums to me and I'll give them a listen.

This is the system I'm going to use to rate the albums (already been used on the "Milo Takes Baths review". I'm hoping it's easy enough to understand, if not pleas let me know how I could fix it, but there are still some things I want to clear up. Rather than just using a number/star system or a symbol system we wanted to create a system that not only made it clear how we felt about it but could also be easily separated into 3 easey categories; simply put "buy it", "sample it", or "pirate it". We want to give the impression that we buy music that we like and for that matter, want you to buy and support. Even though our lowest rating is "pirate it" we don't support you doing it. We want this blog to have hummer so a rating of "pirate it" should be taken as a joke, though it does mean I'm not going to dish out any money for it. The ratings don't cross with each other, so you can't expect a rating including both "bad" and "buy it"; meaning that not dishing out any money means I didn't like it anyway and won't ever listen to it again. We do promote that you always pay for the music you like but our 2nd rating "sample it" can contradict that. Without trying to sound like I support pirating I do support "illegal downloads" to sample albums. I have used this method to listen and review albums before but I always had the intent on buying it if I wanted to hear it again, if I liked it, and I could rant on that but I will leave the issue at that. If there are any ways you can listen to a project for free and legally pleas sample that way; "Groove Shark", "Spotify", "Youtube", and more are all ways to legally listen to music. Our worst and final rating "rebecca black (why)" is not referring to the person it is referring to the meme and will only be used in the case of an album I actually find offensive and I can almost assure you our version of a 0 will hardly, if ever, be used. I don't like the song though.
(. )__(. )' ( .)__( .)'

We don't promote any particular way of buying your music as long as you pay for it but I will inform you that the older the medium is, the more money the artist gets. Record Companies not only have deals with stores and artists but also media developers as well; they move their attention to the newest media type; the artists get lower percentages of the money that goes into what is now cheaper mediums. In addition to also being more expensive and producing more money artists also get a larger percentage of the money spent on Vinyl rather than CDs, and more from CD's than MP3s. I myself always buy my music on CD but like I said before as long as you pay for your music than we don't care how.

Despite all opinions expressed we are not here to change minds or force ideas on anyone. We can only say what we think, and after that it's all up to you. You don't need to agree with a review I wright or a score I give so please tell us what you think. We'll even offer a download of our score template here so you can rate it for your self (here). You can use this system on your blog as well but please notify us. If you wright a review of the same album and send it to use We'll even feature it on the post, if we like it. We want to express our opinions but pleas take everything we've said with a grain of salt until you here the album for yourself, then tell us what you think. If anything, music deserves a collective opinion so join us and help us get there.

-Austin Lovelace

Sunday, February 12, 2012

What Austin's Listening to this week 2/5/2012 - 2/11/2012

"I'm going to take this importunity to review the whole Black Keys collection. One a week.

-Austin Lovelace"

1. Yelawolf - Trunk Muzik 0-60
The main reson I listened to this was because of the new album, "Radioactive". Their was nothing offensive about "Radioactive" but I do consider it to be one of the biggest disappointments of 2011. It was just a step down on everything he's acompleshed from the soft beats, guest singers, to the flow and lyrics. I could tolerate the album up to "Throw it Up" were Yelawolf was able to pull "The Real Slim Shady" back out of Eminem but everything after that was just bull shit R&B tracks. The only song before that track that I just couldn't deal with was "Lets Roll ft. Kid Rock" and the reason why is in the fucking title. I don't want to pull the sell out card but I felt that he went way to main stream with this album; not saying mainstream is bad but it doesn't fit his style.  The only way that anyone could really understand his style is to go back to his previous work like "Trunk Muzik". He really sounds like what Eminem used to do but that's mainly because he has this high pitched flow that resembles Em's first two albums. I actually think he does that flow harder better and faster than Em or any other "copycat" could. Yelawolf has one of the best flows in Hip-Hop right now, in my opinion, even though he, really, only has one flow. His mastery over that flow makes up for it because the ability to take one flow and change it's speed and rhythm on command, the way he can, is just as impressive as any other rapper. On Trunk Muzik he pulls out these tracks that bring swag raps and "bitch" raps to a level were you can't take him seriously.  He puts a southern spin on "hard core Hip-Hop" with clever lyrics that will either be disturbing to you or make you laugh. I love this album but he's scaring the shit out of me with "Radioactive" which I see as his "Relapse". I'll give up on him if I hear a "Recovery" and that is no threat.

Yellawolf - "Daddy's Lambo"


2. The Jimi Hendrix Experience - Electric Ladyland
If you guys have a beef with the fact that I picked the original, "controversial", album art instead of the U.S. cover release your really missing the point. The real point is that this album is an essential "Blues Rock", "Guitar Rock", "Classic Rock", "Psychedelic Rock", "Jazz Rock"... or whatever else you want to call it. Though this album does have the staple guitar playing from Hendrix that is remembered so fondly; it would be stupid to say that Noel Redding's bass playing, and Mitch Mitchel's drumming are'nt nearly as impressive. The fact is that the whole band is a cast of some of the best song writers of the 60s. This album starts with a weird vocal interlude and some jazz tracks until some hard blues rock tracks start showing of the classic Hendrix flavor. Everything just builds to the point were the instrumentation all mashes together and smashes you in face with one of their most famous tracks, "Voodoo Child (Slight Return)", were you get the funk flavor during the first riff before the bass kicks in and shows you the songs rock side. A lot of these tracks feel less like well put together tracks and more like instrumental jams capable of stringing out to 13min. like on, the original, "Voodoo Chile". This is one of the best 60s albums to ever come out and if it's not perfect it's as close as any guitar album will ever get to pure classic rock majesty.

The Jimi Hendrix - "Voodoo Child (Slight Return)"


3. The Black Keys - Rubber Factory
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I decided to take a break from the Keys albums I'm a little iffy on and listen to not only my favorite Keys album, but the first one I ever owned. I'll admit I don't buy every album I talk about but I don't pirate them either. I just think that if I want to support an artist I will eventually buy the work they put out and I bought the shit out of this album the first time I heard it. This is the most fantastic peace of modern blues rock to come out of the blues rock "craze" of the early 2000s. Don't get me wrong, I love "The Kills" and pretty much all of the Jack White projects but this album is the biggest and baddest of them all. It is truly the culmination of guitar work and distortion that made this style so sought after in the early 2000s. I won't say that Dan Auerbach is even close to the technical level that Jack White is on the guitar but his ability to carry a groove on this album is so powerful that I don't think any guitarist can come close to matching him in this style. Songs like "Girl is On My Mind" and "All Hands Against His Own", which I'm sure I've listed on this blog before, have some of the heaviest and moving guitar grooves that I've ever heard. As much as I love to talk about the guitar work on this album I can't say that Dan doesn't clearly owe a lot of credit to his better half. Patrick Carney is the perfect backup for this band. He leads you through the songs with such simple rhythms and drum solos, usually behind the guitar, that just complement the songs so beautifully. If you want to hear Carney's real ability as a drummer all you need to do is listen the the first track on this album, "When the Lights Go Out". You put these two men together and you will get songs that are written so well that you just can't help but sing along. I won't say that they're greatest lyricists, but they know how to make a song that is easy to sing along to as long as the the production moves your head to the beat. Dan is a great producer and the laid back and distorted production just complements the style of music so well. The only song I can't get into on this album is "The Lengths", and that can be chalked up to me being completely unable to get into a Keys ballad except for "Little Black Submarines", which does'n stay that way for long anyway. This album is the reason I'm completely hooked on this style of music.


The Black Keys - "All Hands Against His Own"


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Attack and Release>>

4. Daniel Mustard - Daniel Mustard EP (Self Titled) (EP)
The buzz around this guy is one of the coolest things I've ever seen happen on the internet.The majority of people finding this guys music are all coming from a viral video on youtube called "Homeless Mustard Sings "Creep" GREATEST Cover EVER", which I think lives up to it's title. If you have't allready figured it out, it's a homeless man covering Radiohead's "Creep" (see full story). This one video has started a wave of covers, from this guy, including his cover of the classic Cure song "Boys Don't Cry" and even a Britney Spears song somewhere on Youtube. This man has been passed around on the internet like a meme to the point were he has scored a record deal and his cool rusty voice tells why people care. I wont pretend that a lot of this buzz hasn't come about because of the debate over weather he is really homeless or how our country has "completely discarded talent like this in favor of people like Justin Bieber". I'm just as skeptical about this, "to good to be true", story as anyone else is, but I'm more than happy to believe a true "fairy-tale" story like this until I'm proven wrong. It's not like this is the first time an artists has become more well known because of an internet video. Justin Bieber was a Youtube prodigy way before he got his record deal, OFWGKTA's mainstream popularity can be blamed on Tyler, the Creator's "Yonkers" video, and the most recent example is Lana Del Rey with her viral single "Video Games" + her, "flopped", SNL performance being passed around  the blogs. Wheather you think think their music is good or not you can't deny that artists can be popular based on a freak accident or you could just say that viral marketing works. You could even say these artists are victims of the corporate music scene. The truth is that I could care less about why he's getting noticed because I like the music he makes. The music he makes is nothing but simple folk rock with some pop and radio rock influence. I think this guy can song write with the best of them; the first track, "Impulse to My Addiction", jumps into a chorus were he sings "when your the conflict of my conviction, stranger that all the fiction, another contradiction that I love you, you're the content of my condition, you take the strangest kind of position, your the impulse to my addiction but I love you", which is really well written. It may sound like a corny love song but even some of the classic folk artists like Bob Dylan are praised for lines like this. I can't say there's anything new about his sound but when he can have fun with it and use it to his advantage. The last track on this album, "Evacuating to Mars", he sings about escaping his life in the silliest ways possible. His music is really whats keeping me sucked into his past-life because he makes me believe in it so he's a great story teller if he's making all this up. The only thing that removes the emotion that this album carry's is that his voice is so well produced that I think some of the power his ruff voice had on the covers was lost (still loving it though). If you refuse to listen to this because of his story than your not paying attention to the music. I may even like this album because I'm sucked into the hype but in the end it only matters that I like it so I'm going to keep listening to it under my own approval.